More Paintings from Acadia National Park

I still have more sketches from Maine to scan– it takes a while to scan even a fairly small selection of sketches from three sketch books, and the past couple of weeks I’ve happily been spending time painting rather than sitting in front of a screen. But, it’s dark now and I’m a bit tired from hiking in the Catskills today, so I figured I’d sit in front of my computer for a little while. Of course by now I have some local paintings I’ve done, so I have still more to scan and post. I’ll get to those sometime after I’ve posted my Maine paintings and sketches. For now, here are a number of the watercolors I did in Maine, along with a couple I’ve finished up at home.

I struggled a bit with my painting while I was away. For me, sketching is usually very relaxing and calming, whereas attempting to do a finished watercolor painting can sometimes be a bit stressful. It depends; sometimes it flows and I feel completely caught up in painting and time passes without my awareness. Other times, though, the wind chills me and dries my paints too fast, my fingers get stiff and don’t do anything I want them to do with my brush, the light changes so fast I can’t keep up with it, and I get frustrated.

When I was first at Acadia, I had a couple of easy painting days, then a few days when it felt as though my brushes were bewitched and wouldn’t do anything they were supposed to do. I felt discouraged and had to take a step back, to spend some time hiking, sketching and praying to recenter myself. When I had started getting frustrated, I had begun comparing myself negatively to other artists, so I had to remind myself to paint in a way that is true to who I am and not feel that I need to paint like other artists.

Schoodic Point at sunset

After a day of reflection, I returned to my painting with more focus and a more relaxed confidence that allowed me to immerse myself in what I was doing and paint from my heart and out of my connection with whatever aspect of creation I was observing at the moment. This was one of the biggest lessons I came away with from my time as artist-in-residence. The concentrated time immersed in art with no other distractions brought the issue unavoidably to my attention and pretty much forced me to deal with it, which then set me free to move forward. Again, I am so thankful to the Schoodic Institute and the park service for the opportunity to develop as an artist through my time there.

Arey Cove
Little Moose Island
Before sunset at Schoodic Point
Schoodic Point sunset glow
Schoodic Point Sunset
Eider Duck (male)
Storm Clouds coming in on Schoodic Peninsula
Otters!
Little Moose Island
Schoodic Point low tide rocks

The next two paintings are ones I did from my car at Schoodic Point during a tremendous storm. The waves were HUGE and the spray was rising up higher than the parking lot, which is quite a bit above the water.

Schoodic Point storm
Schoodic Point storm

More Sketches from Acadia National Park

Back home now (I got home a week ago), I am still putting finishing touches on some paintings, as well as getting back into the routine of life at home. Actually, I should say that I am working on developing a new routine for life at home. During my time away I had lots of time to think and evaluate how I do things on a daily basis, and I realized that, much as I have valued quiet time and solitude, I haven’t done a great job of consistently living with a peaceful rhythm to my days. Somehow the demands of life in an overly connected world, along with the alluring draw of the internet have resulted in a feeling of being scattered and constantly available and pulled in several directions at once. While at Acadia National Park, I had no cell signal (what a blessing!) and, as a result, I found that I was more focused in a relaxed way that caused me to be much more “present” with myself and my environment. So now I am working on incorporating some of the lessons I learned, so that I can live with a peaceful rhythm even as I am connected and involved with the world and people around me. I haven’t gotten it all figured out yet, but I am hoping to make progress.

Here are some of my sketches from my time away. I have still more that I will post sketches in another few days. I’ve also posted some of my finished watercolors on my website (Melissa Fischer’s Art ). If you click on the images, you’ll be able to see them large enough to read my notes.)

Gannets diving
Maine coast rocks

Otter sketches

Acadia National Park: More Wonders all the Time

I can’t believe I’ve already been here a week and a half, more than half my time. I could stay here for months and not see and experience all I’d like to, but I am making the most of every day I have in this rich place. 
Today the wind is blowing hard and it is raining. The rain started when I was in the middle of a plein air painting, sitting out on the rocks of Schoodic Point, painting the tremendous surf. I’m not sure yet how I’ll finish that painting, but it’s likely to have some interesting effects from getting rained on.
Earlier this morning I saw the otter family again. They cavorted their way around the edge of their pond, then saw me and waited a while, swimming back and forth and sticking their heads up to look at me, making occasional squeaky sounds. Finally they came up the bank and loped across the roads– so funny looking! 
Shortly after I saw the otters, I saw a huge number of gulls along the shore, some on the water, some on the stony shore, and some in the air (all in the air when an eagle flew by). While I was looking at them, I saw a bird in the water that stood out as something different. Heavy, thick bill, very clear black and white pattern with a small whitish area in the black of the side of the head. About the size of a small duck, but with straighter neck and bill held out fairly straight in front. When it dived I saw a sharp black tail. Razorbill! Another new bird for my life list!
Below are some of my sketches and paintings from the past week. If you click on the image, you’ll see a larger version.
Great Black-backed Gull field sketch (he posed for a long time)
Herring Gull field sketch (also posed patiently)

Raven’s Nest- beautiful but scary place to paint
Rocks and Surf (artistic license with colors)
Rocks on Little Moose Island
Sunset from Cadillac Mountain
Rock and autumn blueberry bushes

Overload of Wonder

I am on overload of wonder. Whenever I open the windows or walk outside I hear the constant roar of surf and the frequent crash of waves against granite shore. Everywhere I look there is splendor and beauty and awesome power, from numerous songbirds and brilliant lichens to Cadillac Mountain in autumn glory gilded with evening light. The stars at night are overwhelming in their number and clarity. Venus and Jupiter have shown themselves each morning, joined today by Mars and Mercury in the cloudless predawn sky. Sunrises and sunsets are brilliant and always different.

Rather than write out all that I am seeing in detail, I am going to simply post some of my sketches and photos for now. I will say, though, that this morning I was especially wonder struck, as I had the opportunity to observe, photograph, and sketch a porcupine at close range for over half an hour. I had startled him a bit earlier while he was eating rose hips when I was walking along the road, and he had gone into the woods. I had a feeling he might come back, so I found a comfortable rock to sit on and I waited. Sure enough, he returned and resumed his feasting, quite near to where I was sitting!

The words of this hymn by Isaac Watts keep coming to mind:

I Sing the Mighty Power of God

I sing the
mighty pow’r of God, that made the mountains rise,
That spread
the flowing seas abroad, and built the lofty skies.
I sing the
wisdom that ordained the sun to rule the day;
The moon
shines full at His command, and all the stars obey.
I sing the
goodness of the Lord, who filled the earth with food,
Who formed
the creatures through the Word, and then pronounced them good.
Lord, how
Thy wonders are displayed, where’er I turn my eye,
If I survey
the ground I tread, or gaze upon the sky.
There’s not
a plant or flow’r below, but makes Thy glories known,
And clouds
arise, and tempests blow, by order from Thy throne;
While all
that borrows life from Thee is ever in Thy care;
And
everywhere that we can be, Thou, God, art present there.

(If you click on the sketches, you’ll see a large enough image to read my notes.)

Sunrise October 16
Porcupine sketches Acadia National Park
Porcupine sketches Schoodic Peninsula
lichen on Schoodic Point granite
Schoodic Point surf
Schoodic Point sunset
Porcupine on Schoodic Loop Road

My Acadia Adventure Begins…

My art supplies (probably half my studio) are packed and loaded in the car. The small amount of remaining space is stuffed with warm clothes, hiking boots, and field guides. The time has finally come; tomorrow I leave for the Schoodic Institute at Acadia National Park to start my time there as artist-in-residence. I rarely feel that the clock moves too slowly, but it seems like much more than 18 hours till tomorrow morning, when I will start my drive into the fall foliage of New England and into an extended time of focusing on nature and art.

From time to time when I need a quiet day without interruptions, I go to a nearby monastery. Once I stayed there overnight, and experienced the “Great Silence,” during which everyone refrains from conversation, except in case of emergency, from 8:30pm to 8:30am. I loved it. Time to think, to be silent long enough for my mind to stop churning, time for the quiet whisper of creativity to be strengthened to a clear call. I’m told there’s almost no cell phone signal at Acadia National Park, so I can count on being pretty much uninterrupted– a Great Silence, this time surrounded by mountains, coast, forests, and surf.

During my time at Acadia I plan to immerse myself in the unique wonders and beauty of that piece of creation, sketching and painting what I see and experience in order to more deeply ground myself in the present moment and place and also to be able to share it with others. I’ll be working with a group of middle school students (an age group I love working with) one evening, doing night sketching, something I love to do. I hope to help them develop a sense of wonder at the awesomeness of the heavens and the quiet beauty of the night. I’ll also be sharing some of my sketches and paintings one morning with a group of artists who will be there on an art retreat. That should be a great time of sharing and learning together, as I always appreciate the opportunity to see what other artists are doing. Other than those times and perhaps one or two other presentations, I’ll be exploring, sketching, and painting, hopefully from before dawn to after sunset every day.

Stephen will join me for part of the time, and we’ll plan on venturing out on some of the more rugged hikes during that time. He likes to read or just enjoy the view and ponder the deep questions of life while I sketch, so we have good teamwork for outdoor adventures. The rest of the time I’m there will be a time of Great Silence for focusing on the gifts of the natural world and on how to share them through my artwork.

(Photos from Acadia National Park by my son and daughter-in-law, Jonathan and Minet Fischer.)


Artist-in-Residence at Acadia National Park!

Last week I was notified that I’ve been selected to be an artist-in-residence at Acadia National Park in Maine! I am SO EXCITED! I applied in early January and have been eagerly awaiting news, attempting (with limited success) to wait patiently and not check my email obsessively. I got the email last week on the first day of a vacation trip Stephen and I took; that started that vacation off on a wonderful note.

During the time I’ll be there (October 14-31), I’ll be focused on immersing myself in the world of Acadia and in my art. Observing, exploring, sketching, creating, painting. I can hardly wait! I’ll also be working with the public (school children, I think) for an hour or so each week, sharing my love for nature and art, something I always love doing.

I am so very thankful to the Schoodic Institute and Acadia National Park for this incredible opportunity, and a big thank you also goes to my friends and family who encouraged me to apply. I feel so honored to have been selected, and I am eager to serve the park and the public with my art. I’ve already purchased a book on plein air painting at the park– Acadia National Park and Mount Desert Island Plein Air Artist Guide— and have been perusing the book and counting the weeks and months until I can start roaming the park, sketchbook in hand.

View from Gorham Mountain, Acadia National Park,
photo courtesy of National Park Service